I realise I put a facetious account of my thinking behind this sculpture because I was up to HERE with making it and I now want to say something more accurate.
but not yet....
I'm getting it ready for another outing tomorrow - the fear-inducingly fashionable Hospital Club in Covent Garden, where we will be at the Wolf & Badger Graduate Design Awards as part of London's Fashion Week.
I've just spent 2 hours with wondrous technician MARK WRIGHTON who has sorted out the latest technical screw-up - at some point when CB was wandering around 7 Dials the heavy CD unit thumped onto the delicate servos, wrenching them from their fairy-size holdings. Mark INGENIOUSLY wrests success from disater and gets us on the road again.
What's that hooting and groaning, as though distant Scottish pipers were sneaking up on you? It's a large tartan... a kind of kilted...a sort of person made of different clans, all scrambled up with screeching and skirling sounds, gliding up behind you with dark intention....
Carapace Burlesque is a 2 metre tall sculpture made from recycled kilts. It is remotely controlled by Stephanie Douet, and has a nasty bagpipe soundtrack by Tudor Lukies choking and gurgling under its crinoline. Mark Wrighton makes the radio-controlled part.
Carapace Burlesque is a 2 metre tall sculpture made from recycled kilts. It is remotely controlled by Stephanie Douet, and has a nasty bagpipe soundtrack by Tudor Lukies choking and gurgling under its crinoline. Mark Wrighton makes the radio-controlled part.
This is my comment.... testing, testing
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